I have been taking long exposure shots (roughly around 30s) on my phone, and with the early darkness, finding car lights to photograph isn’t hard.
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out of focus.
Would be good to use as a background or as texture. It creates a bokeh effect. |
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| A long walk home, showing a glistening puddle bottom centre. |
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| the car radio at the bottom, with street lamps and three movements of the camera. |
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| Waiting at a crossing, with one camera movement. The lights illuminating the windows (centre top) and the texture of the cement works well with the fluidity of the light trails. It helps anchor the image. |
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| The wind caused the image to blur as I foughts against it. The trees have turned into a paint brush splatter. |
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| Two double decker buses pass me consecutively on montpellier. |
Mark Burban
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By combining multiple layers and photos using long exposure, Burban is able to produced these detailed, busy images, a technique called Timestacking. It uses a processing technique ran by coding on the computer. a look through his gallery on Pixel Whip shows the development of his process.
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Bangkok Traffic
9 separate long exposure shots. |
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bell street & merri creek flow 2013
Approx 25+ shots all together. |
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| About 30+ images are overlaid to make this photos, taken on the stairs at Southern Cross station, Melbourne. |
It creates a sense of movement as the lights have a path around the image. The stationary objects such as buildings and lampposts give it a setting. What is interesting, with the centre image, is that the stationary cars amidst the trails - it gives a sense of the stopping and starting of traffic. It is like two pictures in one, (actually 25). ..
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https://500px.com/pixelwhip
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